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VHS : Kafka
Digital Life Average Rating:  out of 5 stars


 : Kafka
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Kafka
starring: Jeremy Irons, Theresa Russell, Joel Grey, Ian Holm, Jeroen Krabbé
directed by: Steven Soderbergh

Audience Rating: PG-13 (Parental Guidance Suggested)
Binding: VHS Tape
EAN: 9786302622942
Format: Black & White, Closed-captioned, Color, NTSC
ISBN: 6302622948
Label: Paramount
Manufacturer: Paramount
Number Of Items: 1
Publisher: Paramount
Release Date: April 03, 2001
Running Time: 98 minutes
Sales Rank: 12258
Studio: Paramount
Theatrical Release Date: November 15, 1991




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Editorial Review:

Amazon.com:
The sophomore effort by Steven Soderbergh (sex, lies, and videotape) is an audacious and stylistically impressive experiment in a completely different direction from his debut. Working from a script by Lem Dobbs, Soderbergh follows the miserable day-to-day existence of Franz Kafka (Jeremy Irons), an insurance clerk in a large, impersonal company. Hiding out in his garret at night, he writes material he assumes no one will ever read. But then he happens upon clues that make him believe there is some plot afoot to suppress thought and he follows the trail into a hidden sanctuary, at which point the film abruptly shifts from shadowy black and white to jarring color. It doesn't all work, but it is never less than intriguing, with a cast that includes Alec Guinness, Ian Holm, and Joel Grey. --Marshall Fine



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Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - All right, take a fictional note of this...
"KAFKA" is one of those movies that was both negelected by the audience and the critics, and very unjustifiably so. What's exactly wrong with this picture? Is it because a lot of Very Heavy-Thinking Bookreaders claim that the real Franz Kafka is untouchable, and so: not-filmable, and there for, when this is done anyway, it must be condemned even before one single frame is actually seen?

But this is not about Mr. Real Kafka, it's about Mr. Fictitious Kafka, even one without Franz as a first name. This Mr. Fictitious Kafka writes about men transforming into giant insects, yes, and who works as a clerk in a insurance agency, yes, and who, at nightfall, sees a giant castle hoovering above the town in the distance, yes - but for all this, director Steven Soderbergh and screenplay writer Lemm Dobbs should be praised, (yes, even before a single frame has been seen.)

It's like a moviewriter's wet ... Read More



Rating: 5 out of 5 stars - Captivating story. You can't stop watching it.
A little off-center then your average film, it none-the-less grabs your attention. Jeremy Irons is brilliant as usual.



Rating: 5 out of 5 stars - must have movie.
To previous reviewer (Penny Schmitt): Go watch Red Heat or any other movie with Arnold - you will find lots of sense and a straight forward story in there, if this is what you need!
On the matter. Never have I seen anything even close to this movie. This does not mean, there is no movie better than this. This just means that "Kafka" is so incredibly different. It is stylish. Unbelievably accurate play. The sound track is gorgeous (as a matter of fact, I have not succeeded to find this soundtrack for 10 years yet). Cliff Martinez did wonderful job. As well as I know, he had looked for a seventy-something year old man (musician), found him in England and took him to Prague to have him play the cymbals forming amazing film entourage.
This movie is worth to be watched at least for what I've just said. It's a piece of art. Don't miss it.



Rating: 3 out of 5 stars - "A" for ATMOSPHERE
If understanding a writer's mind means that you want to go be in his world, this is your movie. While I am defeated by the impossibility of 'making sense' of what happens here in any real way that involves logical explanation, I believe the film well-represents the scary furnishings inside Franz Kafka's mind. It doesn't move back and forth between dream and reality. Instead, it combines the two seamlessly. Only in one scene, a 'pure' dream, does the film move into color. The rest of the time it is a beautiful, grainy-foggy-textured black and white. Prague is gorgeously captured in the b/w universe. The zither score reminds one of The Third Man, another film about the ruin and corruption of Europe. I especially like that the nightmare localities, particularly the Castle interior, are imagined and furnished as 1919 phenomena. As a tour de force of reliving the interior imaginations that might have haunted a writer like ... Read More

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